In honor of Virginia Military Institute's Inaugural Poetry Seminar April 4-5, I offer a poem by Bruce Weigl:
Dead Man, Thinking
i.
Snow geese in the light of morning sky,
exactly at the start of spring. I was
looking through the cracks of the blinds at my future which seemed
absent of parades, for which I was grateful,
and only yesterday
I watched what an April wind could do
to a body wrapped in silk,
though I turned my eyes away,
the way the teacher says,
once the beauty was revealed.
ii
How long it takes to die, in the fifty-fifth year
is what I thought about today.
I told some truths so large, no one could bear to hear them.
I bow down to those who could not hear the truth.
They could not hear the truth because they were afraid
that it would open a veil into nothing.
I bow down to that nothing. I bow down to a single red planet
I saw in the other world’s sky,
spinning,
as if towards some
fleshy inevitability.
I bow down to the red planet. I bow down
to the noisy birds, indigenous to this region.
Only sorrow can bend you in half
like you’ve seen on those whose loves have gone away.
I bow down to those loves.
by Bruce Weigl, courtesy of Poets.org.
Showing posts with label VMI. Show all posts
Showing posts with label VMI. Show all posts
Saturday, April 5, 2008
Friday, April 4, 2008
Emerson, VMI and Poetry
In honor of Virginia Military Institute's Inaugural Poetry Seminar April 4-5, I offer a poem by Pulitzer Prize winner Claudia Emerson, whom I heard read at the Virginia Festival of the Book:
Surface Hunting
You always washed artifacts
at the kitchen sink, your back
to the room, to me, to the mud
you'd tracked in from whatever
neighbor's field had just been plowed.
Spearpoints, birdpoints, awls and leaf-
shaped blades surfaced from the turned earth
as though from beneath some thicker
water you tried to see into.
You never tired, you told me, of the tangible
past you could admire, turn over
and over in your hand—the first
to touch it since the dead one that had
worked the stone. You lined bookshelves
and end tables with them; obsidian,
quartz, flint, they measured the hours you'd spent
with your head down, searching for others,
and also the prized hours of my own
solitude—collected, prized,
saved alongside those artifacts
that had been for so long lost.
(Thanks to Blackbird, an online literary journal of literature and art)
Surface Hunting
You always washed artifacts
at the kitchen sink, your back
to the room, to me, to the mud
you'd tracked in from whatever
neighbor's field had just been plowed.
Spearpoints, birdpoints, awls and leaf-
shaped blades surfaced from the turned earth
as though from beneath some thicker
water you tried to see into.
You never tired, you told me, of the tangible
past you could admire, turn over
and over in your hand—the first
to touch it since the dead one that had
worked the stone. You lined bookshelves
and end tables with them; obsidian,
quartz, flint, they measured the hours you'd spent
with your head down, searching for others,
and also the prized hours of my own
solitude—collected, prized,
saved alongside those artifacts
that had been for so long lost.
(Thanks to Blackbird, an online literary journal of literature and art)
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