Flounder — National Poetry Month

 Flounder

Here, she said, put this on your head.

She handed me a hat.

you 'bout as white as your dad,

and you gone stay like that.

Aunt Sugar rolled her nylons down

around each bony ankle,

and I rolled down my white knee socks

letting my thin legs dangle,

circling them just above water

and silver backs of minnows

flitting here then there between

the sun spots and the shado

ws.

This is how you hold the pole

to cast the line out straight.

Now put that worm on your hook,

throw it out and wait.

She sat spitting tobacco juice

into a coffee cup.

Hunkered down when she felt the bite,

jerked the pole straight up

reeling and tugging hard at the fish

that wriggled and tried to fight back.

A flounder, she said, and you can tell

'cause one of its sides is black.

The other is white, she said.

It landed with a thump.

I stood there watching that fish flip-flop,

switch sides with every jump.

by Natasha Trethewey

Courtesy Famous Poets and Poems

Letter Home                                                                       

--New Orleans, November 1910

Four weeks have passed since I left, and still 
I must write to you of no work. I've worn down 
the soles and walked through the tightness 
of my new shoes calling upon the merchants, 
their offices bustling. All the while I kept thinking 
my plain English and good writing would secure 
for me some modest position Though I dress each day 
in my best, hands covered with the lace gloves 
you crocheted--no one needs a girl. How flat 
the word sounds, and heavy. My purse thins. 
I spend foolishly to make an appearance of quiet 
industry, to mask the desperation that tightens 
my throat. I sit watching-- 

though I pretend not to notice--the dark maids
ambling by with their white charges. Do I deceive 
anyone? Were they to see my hands, brown 
as your dear face, they'd know I'm not quite 
what I pretend to be. I walk these streets 
a white woman, or so I think, until I catch the eyes 
of some stranger upon me, and I must lower mine, 
a negress again. There are enough things here 
to remind me who I am. Mules lumbering through 
the crowded streets send me into reverie, their footfall 
the sound of a pointer and chalk hitting the blackboard 
at school, only louder. Then there are women, clicking 
their tongues in conversation, carrying their loads 
on their heads. Their husky voices, the wash pots 
and irons of the laundresses call to me.

I thought not to do the work I once did, back bending 
and domestic; my schooling a gift--even those half days
at picking time, listening to Miss J--. How 
I'd come to know words, the recitations I practiced 
to sound like her, lilting, my sentences curling up
or trailing off at the ends. I read my books until
I nearly broke their spines, and in the cotton field,
I repeated whole sections I'd learned by heart,
spelling each word in my head to make a picture
I could see, as well as a weight I could feel
in my mouth. So now, even as I write this
and think of you at home, Goodbye

is the waving map of your palm, is 
a stone on my tongue.

by Natasha Trethewey, the country's new Poet Laureate

Courtesy poets.orghttp://www.poets.org