When was the last time you wrote a letter?
If you can't answer that question, consider joining me for A Month of Letters.
It's easy: send 23 letters in February. Okay, so it sounds daunting, but it really isn't. Send one letter every day there is postal service. Write back to everyone who writes to you.
Find those lovely notecards you were given that year for Christmas and use those. Drop a note in a friend's birthday card. Send a postcard. Print a few photographs and send them to someone who hasn't seen them. (And yes, you know at least one person who hasn't seen them.)
There are plenty of ways to participate. Give it a shot. You'll be glad you did.
Monday, January 14, 2013
Saturday, January 12, 2013
Because I Can: Ginger in the Sunshine
Friday, January 11, 2013
Wednesday, January 9, 2013
Poetry Wednesday: The Year
The Year
What can be said in New Year rhymes,
That's not been said a thousand times?
The new years come, the old years go,
We know we dream, we dream we know.
We rise up laughing with the light,
We lie down weeping with the night.
We hug the world until it stings,
We curse it then and sigh for wings.
We live, we love, we woo, we wed,
We wreathe our brides, we sheet our dead.
We laugh, we weep, we hope, we fear,
And that's the burden of the year.
That's not been said a thousand times?
The new years come, the old years go,
We know we dream, we dream we know.
We rise up laughing with the light,
We lie down weeping with the night.
We hug the world until it stings,
We curse it then and sigh for wings.
We live, we love, we woo, we wed,
We wreathe our brides, we sheet our dead.
We laugh, we weep, we hope, we fear,
And that's the burden of the year.
by Ella Wheeler Wilcox
courtesy poets.org
Monday, January 7, 2013
E-Readers: They're Not the End of the World (or of Print)
Is the question of what you're reading as important as how you're reading?
Publishers and naysayers are whipping up a frenzy, comparing print books to parchment and printers to scribes. Paper is old-fashioned and print readers are out of touch with the times, they want to tell us.
Readers know better.
Naysayers need to let it go. There's a benefit to both e-readers and the printed book.
I have both and enjoy both. Some books I have in both formats, including some classics like A Christmas Carol and recently published books such as Miss Peregrine's Home for Peculiar Children.
Then there are the inexpensive e-books that sounded too good to pass up, like Gregor the Overlander (by The Hunger Games author Susan Collins) and Random Harvest by James Hilton (author of Lost Horizons and Goodbye, Mr. Chips). With one click, I owned fascinating reads I could carry with me in my purse.
Also, there's the magazine advantage. I can read The New Yorker anywhere now, and pretty soon the same will be said about National Geographic. Will the pictures of NatGeo be as incredible on the screen? I'll let you know.
Finally, there's the library option: just last week I figured out how to check out books from My Library. Frankly, I love actually going to my library and perusing the shelves, but when I can't get there, it's nice to know I have options. Also, there's something decadent about downloading a book to my Kindle when the library is closed, as though I'm part of a special club that doesn't have to wait for something as restrictive as "operating hours."
Does this mean I'm eschewing print? Not likely: after today's visits to Target and Barnes and Noble, where I walked out with a second copy of The Night Circus (because my copy was in Carole's hands) and my first (coveted) copy of The Wrath of Angels, I'd say I'm still entrenched in print.
The reasons are many. I like the feel of books in my hand. I can read a book anywhere, even when a plane is taking off and landing. I don't have to charge their batteries. I like to see illustrations and photos at full-size (Miss Peregrine's Home for Peculiar Children comes to mind). When I drop them, rarely do they break. I don't have to upgrade them (although lately I've chosen to try to find better copies of some of the cheap paperbacks of my college days so their pages don't fly away along Dewey Beach, for example).
My main reason, however, is because I want to own the book. My digital purchase does not grant me ownership of the copy on my Kindle, but what Jonny Evans from Computer World called "lifetime track rental." Although his description was for music, it could just as easily be applied to books.
Remember the 2009 brouhaha when Amazon removed 1984 from Kindles without seeking permission from the Kindle owners? Sure, the company refunded the purchase price and explained the reason behind it, but it didn't mollify readers. I suppose there's a way to create a permanent copy of a digital file, but it's not the same as walking into your own library and pulling your copy off the shelf.
Want to loan an e-book? Good luck. Publisher must establish loaning rights to a title, and e-books can be loaned once for 14 days. (Those are Kindle's rules. Nook just states that titles can be loaned between devices.) The good news is you always get it back. The bad news: your friends, family, acquaintances better read fast. (This might spell trouble for my use of library e-books, considering I regularly renew library books as many times as I can.)
In the end, there's room for print and electronic books on everyone's library shelves. Users can determine their own preferences and use accordingly — which may mean choosing both.
Do you have a preference? How do you read?
Publishers and naysayers are whipping up a frenzy, comparing print books to parchment and printers to scribes. Paper is old-fashioned and print readers are out of touch with the times, they want to tell us.
Readers know better.
Naysayers need to let it go. There's a benefit to both e-readers and the printed book.
I have both and enjoy both. Some books I have in both formats, including some classics like A Christmas Carol and recently published books such as Miss Peregrine's Home for Peculiar Children.
Then there are the inexpensive e-books that sounded too good to pass up, like Gregor the Overlander (by The Hunger Games author Susan Collins) and Random Harvest by James Hilton (author of Lost Horizons and Goodbye, Mr. Chips). With one click, I owned fascinating reads I could carry with me in my purse.
Also, there's the magazine advantage. I can read The New Yorker anywhere now, and pretty soon the same will be said about National Geographic. Will the pictures of NatGeo be as incredible on the screen? I'll let you know.
Finally, there's the library option: just last week I figured out how to check out books from My Library. Frankly, I love actually going to my library and perusing the shelves, but when I can't get there, it's nice to know I have options. Also, there's something decadent about downloading a book to my Kindle when the library is closed, as though I'm part of a special club that doesn't have to wait for something as restrictive as "operating hours."
Does this mean I'm eschewing print? Not likely: after today's visits to Target and Barnes and Noble, where I walked out with a second copy of The Night Circus (because my copy was in Carole's hands) and my first (coveted) copy of The Wrath of Angels, I'd say I'm still entrenched in print.
The reasons are many. I like the feel of books in my hand. I can read a book anywhere, even when a plane is taking off and landing. I don't have to charge their batteries. I like to see illustrations and photos at full-size (Miss Peregrine's Home for Peculiar Children comes to mind). When I drop them, rarely do they break. I don't have to upgrade them (although lately I've chosen to try to find better copies of some of the cheap paperbacks of my college days so their pages don't fly away along Dewey Beach, for example).
My main reason, however, is because I want to own the book. My digital purchase does not grant me ownership of the copy on my Kindle, but what Jonny Evans from Computer World called "lifetime track rental." Although his description was for music, it could just as easily be applied to books.
Remember the 2009 brouhaha when Amazon removed 1984 from Kindles without seeking permission from the Kindle owners? Sure, the company refunded the purchase price and explained the reason behind it, but it didn't mollify readers. I suppose there's a way to create a permanent copy of a digital file, but it's not the same as walking into your own library and pulling your copy off the shelf.
Want to loan an e-book? Good luck. Publisher must establish loaning rights to a title, and e-books can be loaned once for 14 days. (Those are Kindle's rules. Nook just states that titles can be loaned between devices.) The good news is you always get it back. The bad news: your friends, family, acquaintances better read fast. (This might spell trouble for my use of library e-books, considering I regularly renew library books as many times as I can.)
In the end, there's room for print and electronic books on everyone's library shelves. Users can determine their own preferences and use accordingly — which may mean choosing both.
Do you have a preference? How do you read?
Friday, January 4, 2013
Tuesday, January 1, 2013
Poetry Wednesday: The Passing of the Year
Because sometimes you just can't wait until Wednesday...
The Passing of the Year
My glass is filled, my pipe is lit,
My den is all a cosy glow;
And snug before the fire I sit,
And wait to feel the old year go.
I dedicate to solemn thought
Amid my too-unthinking days,
This sober moment, sadly fraught
With much of blame, with little praise.
Old Year! upon the Stage of Time
You stand to bow your last adieu;
A moment, and the prompter's chime
Will ring the curtain down on you.
Your mien is sad, your step is slow;
You falter as a Sage in pain;
Yet turn, Old Year, before you go,
And face your audience again.
That sphinx-like face, remote, austere,
Let us all read, whate'er the cost:
O Maiden! why that bitter tear?
Is it for dear one you have lost?
Is it for fond illusion gone?
For trusted lover proved untrue?
O sweet girl-face, so sad, so wan
What hath the Old Year meant to you?
And you, O neighbour on my right
So sleek, so prosperously clad!
What see you in that aged wight
That makes your smile so gay and glad?
What opportunity unmissed?
What golden gain, what pride of place?
What splendid hope? O Optimist!
What read you in that withered face?
And You, deep shrinking in the gloom,
What find you in that filmy gaze?
What menace of a tragic doom?
What dark, condemning yesterdays?
What urge to crime, what evil done?
What cold, confronting shape of fear?
O haggard, haunted, hidden One
What see you in the dying year?
And so from face to face I flit,
The countless eyes that stare and stare;
Some are with approbation lit,
And some are shadowed with despair.
Some show a smile and some a frown;
Some joy and hope, some pain and woe:
Enough! Oh, ring the curtain down!
Old weary year! it's time to go.
My pipe is out, my glass is dry;
My fire is almost ashes too;
But once again, before you go,
And I prepare to meet the New:
Old Year! a parting word that's true,
For we've been comrades, you and I -- I thank God for each day of you;
There! bless you now! Old Year, good-bye!
My den is all a cosy glow;
And snug before the fire I sit,
And wait to feel the old year go.
I dedicate to solemn thought
Amid my too-unthinking days,
This sober moment, sadly fraught
With much of blame, with little praise.
Old Year! upon the Stage of Time
You stand to bow your last adieu;
A moment, and the prompter's chime
Will ring the curtain down on you.
Your mien is sad, your step is slow;
You falter as a Sage in pain;
Yet turn, Old Year, before you go,
And face your audience again.
That sphinx-like face, remote, austere,
Let us all read, whate'er the cost:
O Maiden! why that bitter tear?
Is it for dear one you have lost?
Is it for fond illusion gone?
For trusted lover proved untrue?
O sweet girl-face, so sad, so wan
What hath the Old Year meant to you?
And you, O neighbour on my right
So sleek, so prosperously clad!
What see you in that aged wight
That makes your smile so gay and glad?
What opportunity unmissed?
What golden gain, what pride of place?
What splendid hope? O Optimist!
What read you in that withered face?
And You, deep shrinking in the gloom,
What find you in that filmy gaze?
What menace of a tragic doom?
What dark, condemning yesterdays?
What urge to crime, what evil done?
What cold, confronting shape of fear?
O haggard, haunted, hidden One
What see you in the dying year?
And so from face to face I flit,
The countless eyes that stare and stare;
Some are with approbation lit,
And some are shadowed with despair.
Some show a smile and some a frown;
Some joy and hope, some pain and woe:
Enough! Oh, ring the curtain down!
Old weary year! it's time to go.
My pipe is out, my glass is dry;
My fire is almost ashes too;
But once again, before you go,
And I prepare to meet the New:
Old Year! a parting word that's true,
For we've been comrades, you and I -- I thank God for each day of you;
There! bless you now! Old Year, good-bye!
courtesy poets.org
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